Altyn Clark Stained Glass

State College,  PA 
United States
https://www.altynclarkglass.com
  • Booth: 1103

Altyn is an impressionist landscape artist who uses glass to capture a natural location’s line, light, mood, motion, color, texture, and season. Altyn’s work succeeds when you feel strong wind in your hair, sunny warmth on your face, water flowing about you, night chill on your skin, soft fur or rough hide on your fingertips—from experiencing my glass in varying light conditions. Patrons often exclaim, “I’ve been there! You captured my place!”


 Products

  • Red Poppies
    Vivid red poppies in the highway median reaching toward morning sun; 20x33; $3000; copper foil technique...

  • Altyn is an impressionist landscape artist fascinated by possibility inherent in line, color, and texture. He depicts a natural location’s light, mood, motion, and season in glass panels designed to hang in a window or on a wall. Patrons often exclaim, “I’ve been there! You captured my place!” The creative process begins with art glass sheets whose texture, translucence, reflectivity, pattern, and color invoke nature. The artist may see principal lines in the glass itself or he may follow a sketch or photo from his travels. He cuts simple lines using traditional hand-held glass scoring tools. Intricate, high-risk lines are achieved with a wet ring-saw. Each piece of cut glass is “foiled” on the edge using copper tape. The cut and foiled pieces are soldered into place. The final work is framed in copper, with copper patina to brighten the solder. Every step in the process is a self-satisfying invitation to flow through the immediacy of vision, action, tactile response, and result.

  • Blue Ridge Lake
    Feel the gentle breezes of early autumn dance over the hills onto the lake shore; 12x20; $429; copper foil technique...

  • Altyn is an impressionist landscape artist fascinated by possibility inherent in line, color, and texture. He depicts a natural location’s light, mood, motion, and season in glass panels designed to hang in a window or on a wall. Patrons often exclaim, “I’ve been there! You captured my place!” The creative process begins with art glass sheets whose texture, translucence, reflectivity, pattern, and color invoke nature. The artist may see principal lines in the glass itself or he may follow a sketch or photo from his travels. He cuts simple lines using traditional hand-held glass scoring tools. Intricate, high-risk lines are achieved with a wet ring-saw. Each piece of cut glass is “foiled” on the edge using copper tape. The cut and foiled pieces are soldered into place. The final work is framed in copper, with copper patina to brighten the solder. Every step in the process is a self-satisfying invitation to flow through the immediacy of vision, action, tactile response, and result.

  • Snowy Barn Owl
    Snowy Barn Owl in flight through the night sky (how does the artist create a silhouette within an uncut glass background?); 10x14; $299; copper foil technique...

  • Altyn is an impressionist landscape artist fascinated by possibility inherent in line, color, and texture. He depicts a natural location’s light, mood, motion, and season in glass panels designed to hang in a window or on a wall. Patrons often exclaim, “I’ve been there! You captured my place!” The creative process begins with art glass sheets whose texture, translucence, reflectivity, pattern, and color invoke nature. The artist may see principal lines in the glass itself or he may follow a sketch or photo from his travels. He cuts simple lines using traditional hand-held glass scoring tools. Intricate, high-risk lines are achieved with a wet ring-saw. Each piece of cut glass is “foiled” on the edge using copper tape. The cut and foiled pieces are soldered into place. The final work is framed in copper, with copper patina to brighten the solder. Every step in the process is a self-satisfying invitation to flow through the immediacy of vision, action, tactile response, and result.

  • Sky Drama
    Hot rolling dunes in a sirroco sandstorm; 6x16, $149; copper foil technique...

  • Altyn is an impressionist landscape artist fascinated by possibility inherent in line, color, and texture. He depicts a natural location’s light, mood, motion, and season in glass panels designed to hang in a window or on a wall. Patrons often exclaim, “I’ve been there! You captured my place!” The creative process begins with art glass sheets whose texture, translucence, reflectivity, pattern, and color invoke nature. The artist may see principal lines in the glass itself or he may follow a sketch or photo from his travels. He cuts simple lines using traditional hand-held glass scoring tools. Intricate, high-risk lines are achieved with a wet ring-saw. Each piece of cut glass is “foiled” on the edge using copper tape. The cut and foiled pieces are soldered into place. The final work is framed in copper, with copper patina to brighten the solder. Every step in the process is a self-satisfying invitation to flow through the immediacy of vision, action, tactile response, and result.

  • Red Rocks
    Desert heat radiating from the rocks of Sedona Arizona; 20x12; $429; copper foil technique...

  • Altyn is an impressionist landscape artist fascinated by possibility inherent in line, color, and texture. He depicts a natural location’s light, mood, motion, and season in glass panels designed to hang in a window or on a wall. Patrons often exclaim, “I’ve been there! You captured my place!” The creative process begins with art glass sheets whose texture, translucence, reflectivity, pattern, and color invoke nature. The artist may see principal lines in the glass itself or he may follow a sketch or photo from his travels. He cuts simple lines using traditional hand-held glass scoring tools. Intricate, high-risk lines are achieved with a wet ring-saw. Each piece of cut glass is “foiled” on the edge using copper tape. The cut and foiled pieces are soldered into place. The final work is framed in copper, with copper patina to brighten the solder. Every step in the process is a self-satisfying invitation to flow through the immediacy of vision, action, tactile response, and result.